DUCK SOUP (1927) – Our first glimpse at the “real” Stan and Ollie

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The following is my entry in The Silent Cinema Blogathon, being hosted Oct. 24-26, 2015 by the blog In the Good Old Days of Classic Hollywood. Click on the above banner to visit the blogathon and read an assortment of great blogs related to the era of silent movie classics!

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(WARNING: Major spoilers abound!)

Duck Soup‘s interest for movie academics might be more historical than hysterical. Yet even on that basis, it’s as worthy of L&H buffs’ attention as Unknown Chaplin is to Charlie Chaplin fans, or The Beatles Anthology is to Fab Four aficionados. It’s a worthy addition to the L&H canon, and it helps make our mental image of them more complete.

For years Duck Soup was a lost movie, and it was assumed the film was one of Stan and Babe’s back-burner Pathe numbers, where they each performed in the movie but not as a team. Then a print turned up in the 1970’s and showed that Stan and Ollie were (or should have been) a bonafide team from the start. Ollie badly needs a shave, but other than the vagabond garb, Stan and Ollie were far closer to the way we now “know” them then they were in their other Hal Roach/Pathe productions. Why they “began” as a team and then went back to doing separate appearances in the same movie remains one of movie comedy’s great unanswered questions.

But there’s enough recognizable “Stan and Ollie” byplay to warrant at least one viewing. For one thing, Duck Soup is the quite recognizable origin of its talkie version, Another Fine Mess (1930). Both films were based on an old vaudeville sketch written by Stan’s dad (though Pop later complained loudly about what his son had done to the source material).

Duck Soup shows Stan and Ollie on the run from local police, though unlike the talkie version, they are not trying to avoid arrest but are instead trying to avoid the zeal of a sheriff looking for help in putting out a forest fire (Was this a common kind of recruitment in 1920’s Los Angeles?). In later films (with their personas more firmly established), whenever Stan and Ollie are on the run from the law, it’s usually due to their fear of authority figures. Here, the cause is just plain laziness.

Anyway, Stan and Ollie hide out in a millionaire’s mansion, and as luck would have it, the millionaire is out of town and has advertised for boarders to rent the house. Ollie and Stan quickly assume the disguises of the millionaire and his maid.

And “quickly” is the key word here. The most unrecognizable element in this L&H film is its frenetic pace, making it closer to typical Hal Roach/Pathe fare than to the later, more leisurely paced L&H shorts. Also, there are no particularly memorable “set pieces” here — unlike Another Fine Mess, where Ollie revels in his disguise, or Stan has a hilarious conversation with the wife of the would-be boarder (Thelma Todd).

Yet it still makes for fascinating viewing, not least because of its view of a surprisingly undeveloped ’20s Los Angeles. The movie also shows that even from the beginning, Stan and Ollie intuitively worked as a team–it just took their own movies a little while longer to figure that out.

TRIVIA NOTE: Duck Soup proved to be an especially sturdy movie title. Six years after Laurel & Hardy used it, former L&H associate Leo McCarey nabbed it for his classic Marx Bros. movie; nine years later, Hal Roach nabbed it back for an Edgar Kennedy short subject. Maybe Judd Apatow will be using it next.

Final recap of the SEE YOU IN THE ‘FALL’ BLOGATHON

Happy first day of autumn! but unhappy last day of blogathon! However, we had some terrific entries devoted to favorite moments in TV and movie physical comedy, so let’s complete the list with our

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Here are recaps from the previous days of the blogathon:

Day 1 recap * Day 2 recap * Day 3 recap

And here are the entries for our fourth and final day! (Click on each individual blog’s name to be linked to the blog entry.)

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Reel Distracted brings us M. Hulot again trying to make sense of modern life, in Jacques Tati’s Playtime.

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Wolffian Classic Movies Digest gives us Charlie Chaplin and Jackie Coogan in the classic comedy-drama The Kid.

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In the Good Old Days of Classic Hollywood examines what happens when a wife (Doris Day) must deal with misbegotten news from her hypochondriac husband (Rock Hudson) in Send Me No Flowers.

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What happens when a monster-smash comedy team meets up with monsters who like to smash things? Critica Retro finds out in her study of Abbott and Costello Meet Frankenstein.

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And finally, Once Upon a Screen takes a close look at Laurel & Hardy delivering a piano (and lots of laughs) in their Oscar-winning short subject The Music Box.

My heartfelt and feverish thanks goes out to all of the bloggers who contributed their time and talents to making this blogathon such a success, and to the many readers who lapped it up — we couldn’t have done it without any and all of you!

Now that we’re finished, maybe it’s time for a drink…

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TO HAVE AND HAVE NOT (1944) – Lauren Bacall’s sizzling movie debut

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The following is my contribution to The Lauren Bacall Blogathon, being hosted Sept. 14-16, 2015 by the blog In the Good Old Days of Classic Hollywood. Click on the above banner, and read a variety of blogs devoted to the movies and career of this amazing actress!

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Has there ever been a movie from the Big Studio System that got more mileage out of its star power than To Have and Have Not?

All of the movie’s other, more ballyhooed elements are famous mostly because they’re so derivative. The movie is based on an Ernest Hemingway novel, but the book was widely acknowledged as one of Hemingway’s worst (even by Hemingway), and in any case, Jules Furthman and William Faulkner’s screenplay uses as little of its original source as possible.

And I’m hardly the first person to note that the movie is a rough carbon copy of Casablanca, with most of its plot elements — most notably, a neutral bystander (Humphrey Bogart again) who ends up helping a romantic duo who are working against the Nazis.

But then, there’s…Lauren Bacall.

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She plays “Slim,” an American who has just entered the pro-Germany French island of Martinique, where Harry/”Steve” (Bogart) runs his fishing boat. Slim picks the pocket of one of Steve’s associates — not a trait that you’d think would endear to anyone — and Steve catches her and calls her out on it. Yet Steve’s intrigued by her to play a game of cat-and-mouse with her for the rest of the night, as each one enters the other’s hotel room on the pretense of “returning” a bottle of hootch.

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Why does Steve find Slim so intriguing? I suppose because she’s Lauren Bacall, who can make the act of asking for a match sound dirty. This was her film debut, after director Howard Hawks’ wife came across Bacall as a 19-year-old model on the cover of Harper’s Bazaar.

(Why does this woman suddenly accept the nickname Slim? And why does she, in turn, call Harry “Steve” out of nowhere? Because Steve and Slim are the nicknames that Hawks and his wife called each other. This is, believe me, just one of the many dialogue elements that the movie never even tries to explain.)

Once Bogart and Bacall start smoldering with screen chemistry, you find yourself willing to forgive a lot of things in this movie, such as Walter Brennan popping up every five minutes to do his lovable-alcoholic routine, and seeing Steve sass some Gestapo agents in a manner that probably would have gotten him filled with bullets in real life.

And I won’t completely give away the movie’s ending…but (SOMEWHAT-SPOILER ALERT) seeing Lauren Bacall vigorously shake her hips in the final scene makes up for a plethora of bad movies I’ve endured.

Lovin’ the Liebster – Award No. 2

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The stars must be aligned in my favor today! One month to the day after being nominated for my first Liebster Award, my new blogger friend Summer Reeves from Serendipitous Anachronisms has nominated me for my second such award! I’m so proud to have two of them that I decided to adorn my mascot, Jane Russell, with both of my medals. Don’t they look swell on her?

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Now, before I bore you again with more of my pretentious commentary, I must of course share the Liebster rules with you. Every Liebster nominee is expected to:

  • Answer his or her nominator’s 11 questions.
  • Nominate 11 additional bloggers.
  • Ask 11 questions of your nominees.
  • Share 11 additional facts about yourself.

Man, are you in for a painful read! Nevertheless, I shall begin by answering the lovely Summer’s questions. (A couple of these happen to overlap some questions from my previous Liebster questionnaire, so please don’t shoot the messenger.)

1. What movie have you seen more times than necessary?

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This is a question that I covered previously. It’s The Rocky Horror Picture Showwhich I saw 50-plus times throughout my high school and college years. (Don’t knock it, it was the next-best thing I had to a social life.) Second place goes to practically any Laurel & Hardy movie, all of which I’ve been watching since I was 10 years old.

2. What movie scared you?

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This might be the silliest confession of my life. But I saw the much-maligned Twilight Zone: The Movie in 1984 on video, about a year after it had been released theatrically. I watched it on a Friday night, and as it happened, the segment “It’s a Good Life,” about a sociopathic boy who uses magical powers to control his family members’ lives, happened to come on just after midnight. I was freaked out for the rest of the night.

3. What do you wish they would adapt or re-adapt to cinema?

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Roll of Thunder, Hear My Cry, an outstanding novel about a black family’s struggles in 1930’s Mississippi. Someone produced a TV-movie version of the story in 1978, and despite a few good moments and the casting of Morgan Freeman (shown at far right) in an early supporting role, the movie didn’t begin to do justice to the sprawling novel.

4. Are there any forthcoming films or TV shows you are excited about?

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Last year, I saw a very funny trailer for Cuban Fury, a comedy starring Nick Frost (veteran of Simon Pegg comedies such as Shaun of the Dead) as a plus-sized man who decides to learn salsa dancing to win the heart of a curvaceous salsa dancer he sees. The trailer stated, “Coming this April,” and the Internet Movie Database claims the film was released in America last year, but IMDb shows no ratings or reviews for it, so I think they’re wrong. My guess is that the releasing company decided the movie wasn’t dumb enough to be released in America.

5. What are your favorite Shakespeare-ish films (Derivative work)?

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This isn’t a movie, but I just can’t help citing “Atomic Shakespeare,” the Taming of the Shrew parody from the infamous 1980’s TV series “Moonlighting.” Whatever else you could say about that show, it brooked no middle ground; either it was buzzing with off-the-chart quality, or it was laying a huge egg before your eyes. The “Atomic” episode is as farcical-brilliant as anything Mel Brooks ever did, concluding by going the Bard one better with a pro-feminist speech beautifully delivered by Bruce Willis. At present, the episode is posted on YouTube; savor it while you can.

6. What’s your favorite movie about show business?

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All That Jazz, Bob Fosse’s post-modern musical — full of all the truth about show-business self-loathing, joy, and backstage chicanery that would have made Mickey and Judy blush to admit it. It’s showtime, folks!

7. What’s your favorite documentary?

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Les Blank’s Gap-Toothed Women, a celebration of physical imperfections and one of the most life-affirming movies I’ve ever seen. It would make a perfect curtain-raiser for Steve Martin’s romantic comedy Roxanne (which was coincidentally released the same year).

8. What’s your favorite movie score?

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I don’t have much quarrel with anything Bernard Herrmann did, but for a score I listen to from start to finish, I prefer Taxi Driver — equal parts jazzy sax and sinister Gotham.

9. Why did you start blogging?

Since 2000, I’ve been creating websites devoted to my favorite movie comedians, but relatively few people have visited them. Then, a couple of years ago, I noticed that my then-supervisor at work had a blog that she used to promote retail items she liked. She told me she had 1,000 subscribers and that I should do something like that to promote my movie writing. Last year, I finally decided to do it.

10. What do you think is the nicest thing you’ve discovered about blogging?

I really like the cameraderie and the sense of community. I’ve met so many like-minded bloggers whose work is fun to read and who appreciate the kind of opinions that used to get me sneered at when I’d try to share them back in high school.

11. What are your other interests? 

Reading and Facebook. I’m in my mid-fifties and fairly boring.

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Now, I get to pick on 11 other bloggers. Some of them are people whom I already chose when I answered my first Liebster questionnaire, so don’t get peeved at me for pestering you again!

Diary of a Movie Maniac

Outspoken and Freckled

Phyllis Loves Classic Movies

Cary Grant Won’t Eat You (Who couldn’t love that title??)

Love Letters to Old Hollywood

In the Good Old Days of Classic Hollywood

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Criterion Blues

Reel Distracted

Timeless Hollywood

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Since I received only a couple of responses from my previous Liebster questionnaire, I’m going to “recycle” it for this one. I’d appreciate it if the above-named nominees would answer the following questions and link your answers blog back to this (my) blog.

1. “All-time favorite movie” is too tough. What is your favorite genre, and what is your all-time favorite movie in that genre?

2. “Theatrical” is too easy. What’s your all-time favorite TV-movie?

3. The Great Movie Genie is allowing you to permanently change the ending of one movie. Which one do you choose, and why?

4. You’re the latest heinie-kissing Hollywood exec, slavishly following trends. Which movie, good or bad, would you like to sequelize or remake?

5. Name the movie whose screening you’d like to co-host on TCM with Ben Mankiewicz.

6. Describe your most memorable movie occasion — not necessarily your favorite film, but a movie you enjoyed with friends, one that evoked a particular memory, etc.

7. What is your favorite line of movie dialogue?

8. Why are movies special to you?

9. What do you enjoy most about blogging?

10. What is your favorite book about movies?

11. You have your favorite movie actor or actress to yourself for 24 hours to do with what you will. Name, please.

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Finally, I must share 11 more facts about little ole me. Some of these are pretty “reaching,” as I used up most of the interesting facts about me on my first Liebster list.

1. When I was 9 years old, a rhinoceros peed on me at the St. Louis Zoo. I didn’t do anything to bring it on. He was caged, and I was a good distance away from him. It’s just that, when my brother-in-law grabbed my sister and their baby and said, “Run for it!”, he understood more about the meaning of a rhino turning his heinie to you than I did.

2. I’m left-handed. That’s nothing spectacular, I know. But at a young age, I was delighted to find out that some of my favorite entertainers, such as Harpo Marx and Paul McCartney, were/are also left-handed.

3. My wife’s name is Kathy. Her younger siblings, in order of birth, were known as Susie and Bobby (now Susan and Bob). When I saw the movie Tim Burton’s The Nightmare Before Christmas, imagine my surprise when Santa Claus started reading his list of “good” children, and he intoned, “Kathy, Susie, Bobby…”

4. My father’s name was — really was — Bill Bailey. And for years, he dined out on his story about meeting Pearl Bailey when he was a custodian at the Chicago Amphitheatre. As he told it, he was cleaning up after her performance one night, and Pearl started making small talk with him. As soon as she found out his name, she sat him down and sang “Won’t You Come Home, Bill Bailey?” just for him.

5. My wife is a local newspaper editor. For 11 years, I wrote weekly movie reviews for her paper. She blithely informed me one day that copies of all U.S. newspapers, including hers, are forwarded to the Library of Congress for cataloging. So apparently, my silly little reviews are sitting somewhere in the Library of Congress.

6. My father married twice in his life. My oldest sibling is my half-sister, who is 78 years old. By contrast, I’m my family’s youngest member, and I’m 54.

7. I’m not a huge Three Stooges fan, but one day, my then-9-year-old son was with me when I happened to watch Gents without Cents, the Stooges short where they perform the classic burlesque sketch “Slowly I Turned/Niagara Falls.” My son fell over with laughter. He re-watched the short with me a couple of times, and he became so obsessed with it that we finally ended up creating our own “miniature” version of it (minus the Curly-type violence so that I wouldn’t hurt him) and performing it for anyone who would sit still for us for two minutes.

8. I did not have cable TV in my man-cave until a couple of weeks ago. We have cable in our home, but there was a TV in everyone’s room except mine. (Not as punishment — I didn’t especially want one.) My mother-in-law recently died, and my son set up her old set in my room. Now I check the TCM schedule as religiously as any of my fellow bloggers. This #TCMParty thing is a hoot.

9. I got a pith helmet the other day. Again, not a major accomplishment, but still…I’ve always wanted one, I guess because I thought they looked cool and because they make me think of Groucho Marx in Animal CrackersThere’s a guy I’ve befriended on Facebook who also likes Groucho; this guy lives in the U.K. He had a pith helmet he was tired of, so for no particular reason, he sent it to me, free of charge. Pretty cool for something I never expected!

Me, in all of my pithy splendor.

Me, in all of my pithy splendor.

10. One summer, 15 years ago, I shaved my head bald. I was a middle-school teacher at the time, and I’d had an especially bad school year. I think that was my way of symbolically shedding the past year. My wife and daughter were horrified by my appearance. It was an interesting experiment, though; I think everyone should do that once in a lifetime.

11. My biggest accomplishment in my life is that I overcame the NO. I was raised by an embittered, widowed father whose philosophy was to settle for whatever crumbs life throws you, and to not ever ask for or expect anything special. Despite that, I grew up to: move across the country to L.A., interview my hero Chuck Jones (and get him to do a personalized drawing of Bugs Bunny for me), and write, direct, and star in plays that got produced locally. Don’t live the way a lot of my relatives lived, and die wondering why you didn’t do some of the things you wanted.

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Thanks for your participation and your continued enthusiastic blogging! Jane is also awaiting your replies with much enthusiasm!

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The BEATLES FILM BLOGATHON – Day 3 Recap

Like a mint-condition, first-edition copy of The White Album, our blogathon continued to entertain and impress right to the very end. Let’s wrap things up with a recap of

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In the Good Old Days of Classic Hollywood offered an insightful critique in John Lennon’s only non-Beatle film role, as an Army private in Richard Lester’s How I Won the War.

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Critica Retro posted a terrific take on the movie that started it all, A Hard Day’s Night.

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And to bring the Blogathon to full circle, I couldn’t resist adding some final thoughts on the remaining “Three-tles'” 1995 “reunion” video, “Free as a Bird.”

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If you have missed reading any of the other wonderful entries from the previous two days of this blogathon, please click on the appropriate recap below to find what you’d like to read.

Original blogathon announcement * Day 1 recap * Day 2 recap

We hope you have enjoyed our heartfelt tribute to The Fab Four and the musical and cinematic delights they have brought to the world. Now, I’ve got to take a break for a while…I’VE GOT BLISTERS ON MY TYPING FINGERS!!

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