The Three Stooges in GENTS WITHOUT CENTS (1944) – Slowly they turned


This is the second of my two entries in my See You in the ‘Fall’ Blogathon, covering great moments of physical comedy in movies and TV. Click on the above banner to read terrific tributes to same from a wide variety of blogs!


Today is the 71st anniversary of the release of the Three Stooges short subject Gents Without Cents. So I cannot resist sharing my personal history with this delightfully silly film.

I was a huge Three Stooges fan when I was a kid, but as I grew older, I subconsciously decided that I needed more motivation in my comedy. Watching three guys knock each other around just for the sake of it seemed rather pointless.

But one day at the library, during one summer a few years ago, I was hard up for a movie to watch, so I checked out a DVD of Three Stooges short subjects. One of the shorts was Gents Without Cents, which was positive for me in two ways.

First, it was a short that began with the Stooges as fairly regular guys — they were performers rehearsing their act in their apartment. Second, the short featured the “Niagara Falls” routine (also known as “Slowly I Turned”), a famous knockabout comedy sketch that dates all the way back to vaudeville. (If you’re unfamiliar with it, click here for a brief history of it.)

As it happened, my then-8-year-old son watched Gents Without Cents with me. He was so enamored of the sketch, he insisted that we learn it. So that summer, any time we could get someone to sit still for us for five minutes, we performed a truncated version of “Niagara Falls” for them (minus the rowdier slapstick violence — after all, my son was only 8). It remains one of my fondest parenting memories.

My son, the Curly surrogate.

My son, the Curly surrogate.

(WARNING: Major spoilers abound!)

At the start of Gents Without Cents, Moe, Larry, and Curly are rehearsing “Niagara Falls.” But just when they get to a crucial line in the act, there’s tapping on the ceiling, and a light fixture falls on Curly’s head. It turns out that this same interruption happens every time the boys reach that particular point in the act. The trio to resolve to go upstairs and fight with whoever lives on the floor above them who has been disrupting their rehearsals.

But when the Stooges get to the upstairs apartment, they find three leggy women enthusiastically rehearsing a dance number. The boys introduce themselves to the girls as Moe, Larry, and Curly, and the girls give their names as Flo, Mary, and Shirley. (Symmetry in action!) The six of them become friends and go to a talent agent named Manny Weeks (John Tyrell) to show off their talents.

Left to right: Laverne Thompson (Mary), Betty Phares (Shirley), and Lindsay Bourquin (Flo).

Left to right: Laverne Thompson (Mary), Betty Phares (Shirley), and Lindsay Bourquin (Flo).

At first, Weeks is unimpressed with the boys, but eventually they win him over, and Weeks lets them accompany him to a local shipyard where entertainment is needed for its defense workers during a lunch hour. The Stooges perform “Niagara Falls” to an enthusiastic audience.

"Slowly I turned..."

“Slowly I turned…”

When Weeks receives a telegram that the scheduled act cannot make it in time, the girls then perform a dance routine, and the Stooges do a comedy sketch as Army soldiers. The Stooges are such a hit that Weeks signs them up to appear in his Broadway show. Moe tries to give the girls a fond farewell, but they’re too assertive for that. The group ends up as three married couples — and don’t ask where they go to spend their honeymoon.

Here’s the movie. The entire short subject is worth watching, but if you want to skip ahead to the “Niagara Falls” routine, it begins at the 8:39 mark. (If you enjoyed this blog entry, click here to read my first blog entry, about Steve Martin as “The Great Flydini.”)

The Three Stooges in HOLD THAT LION! (1947) – With guest appearances by Curly & the M-G-M lion


The following is my entry in The 1947 Blogathon, co-hosted by the blogs Shadows & Satin and Speakeasy on July 13-15, 2015. Click on the above banner, and read bloggers’ critiques of a variety of movies released in that year!


So this is a 1947 Blogathon? Eh, forty-seven, shmorty-seven! Everybody else can blog about all the prestige Hollywood productions of the year! I’m going to take a little jaunt down Poverty Row and visit…


Hold That Lion! is the 100th of 190 short subjects made by the comedy team The Three Stooges from 1934 to 1959. This short consisted of the second incarnation of the group: Moe Howard, Larry Fine, and Moe’s real-life brother Shemp (who had replaced their other brother Curly [real name Jerry] after he retired due to an incapacitating stroke). This was Shemp’s third of 76 film appearances as a Stooge. Shemp had originally worked with his brothers on-stage but had bowed out of the act 17 years earlier, returning this time only because Moe felt that The Three Stooges would be finished as an act if he hadn’t.

The movie’s main claim to fame is that it features Curly in a cameo appearance as a snoring passenger on a train. Curly had happened to drop by the set, and director Jules White thought it would be funny to use him for a short bit in the film. Thus, the movie features the only film appearance of (a) Curly with a full head of hair, (b) all three Howard brothers, and (c) all four of The Three Stooges.


As Stooges shorts go, this one isn’t bad. It’s not an all-out laugh riot, but it’s funny enough and has good pacing and production values. It was made just before Columbia started to get all-out cheap with the Stooges shorts by shortening the running times, and using and re-using stock footage as much as possible. (In fact, Hold That Lion! was mined for stock footage for three later Stooges shorts.)


The movie’s plot, such as it is, begins with the Stooges at the office of their attorney (long-time Stooge supporting player Emil Sitka), trying to obtain a huge inheritance to which they are entitled. Unfortunately, the money is in the hands of an underhanded broker named Ichabod Slipp (Kenneth MacDonald). The attorney gives each Stooge a subpoena which they are to serve to Slipp in order to resolve the legal issue. Brilliant attorney, eh?


The Stooges go to Slipp’s office, but he catches on to them fast, knocks them out cold, and absconds with the money. When the Stooges come to, they discover that Slipp is escaping on a train and go after him. Most of the remainder of the film involves a lot of major (fake) fright regarding a caged lion aboard the train that the Stooges accidentally let loose.

If you’re willing to cut the movie some “oh, brother”-type slack, its only real debits are a supposed comic bit where a black porter does a stereotypical eyes-a’-poppin’-’cause-I’m-a-skeered routine when he sees the lion, and a belabored slapstick closing gag involving some eggs. (Eggs and a lion on a passenger train??) Other than that, the short is fairly funny, even if you’re not a die-hard Stooge buff.

“Enough of this popsicle stand! I’m going over to Columbia!”

Of far greater interest in some of the behind-the-scenes trivia. The lion was played by Tanner (above), who served as the on-screen mascot for Metro-Goldwyn-Mayer from 1934 to 1956. Reportedly, Shemp Howard was so terrified of Tanner that, in the scene where the Stooges first encounter Tanner in a crate, Howard insisted on a glass plate being placed between the trio and the lion. (If you look closely, you can see the Stooges’ reflection in the glass as they rush out of the crate.) However, Shemp had little to worry about; according to Emil Sitka, Tanner had gotten so sickly in his elder years that he would fall asleep in the middle of a take.