The following is my first of two entries in The Charlie Chaplin Blogathon: The Life and Films of the Little Tramp, being co-hosted by the blogs Little Bits of Classics and Christina Wehner from Apr. 14-16, 2018. Click on the above banner, and read bloggers’ tributes to Charles Chaplin on his 126th birthday (Apr. 16)!
(All images from Chaplin films made from 1918 onwards, Copyright © Roy Export S.A.S. Charles Chaplin and the Little Tramp are trademarks and/or service marks of Bubbles Inc. S.A. and/or Roy Export.)
I first came across Charlie Chaplin when I was 11 years old and just “getting into” silent movies. I didn’t start watching Buster Keaton movies until a few years later, mainly because I never had access to any of them until a local PBS station began showing them. I find both men, in their individual ways, brilliant silent-film comedians.
Ever since I was a kid, I have been listening to the ridiculous debate about Chaplin versus Keaton — which comic is funnier, less sentimental, more artistic, etc. — as though great movie comics are so plentiful that we must compare apples to oranges. For the final word on this subject, I have two quotes. The first quote is from The Silent Clowns, Walter Kerr’s invaluable study of silent-film comedy; the second is a seemingly irrelevant quote about a completely different subject by Susan Sontag. (However, in Sontag’s case, replace “The Doors and Dostoyevsky” with “Keaton and Chaplin,” and you’ll see what I mean.)
* “…[Keaton] has been hailed, here and there, not only as Chaplin’s equal but as Chaplin’s superior. This, I think, is waste effort, a misreading of Keaton’s very values…Let Chaplin be king, and Keaton court jester. The king effectively rules, the jester tells the truth.” – Walter Kerr, 1975
* “If I had to choose between the Doors and Dostoyevsky, then — of course — I’d choose Dostoyevsky. But do I have to choose?” – Susan Sontag, 1996
(If you liked this blog, please click here to read my second blogathon entry, about Chaplin’s The Great Dictator.)