FREAKY FRIDAY (2003) – Jamie Lee Curtis gets her freak on

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Jamie Lee Curtis blasts through Freaky Friday like a breath of fresh air in a staid movie premise. This personality-switch comedy (already done twice before by Disney) takes forever to get going, but when it does, Curtis doesn’t just trade places — she channels Lucille Ball.

Curtis plays Tess Coleman, a prickly psychologist who is touchy-feely with her patients but has no patience for her teenaged daughter Anna (Lindsay Lohan). When the two have a fight in a Chinese restaurant on the eve of widow Tess’ second wedding, a Chinese sage (in the movie’s most dated story element) gives them a magical formula that will cause them to walk more than a mile in each other’s shoes.

Let’s get the nasty stuff out of the way first. Besides the wise Oriental, the movie offers up such painful stereotypes as the senile grandpa (wasted Harold Gould) and the smart-alecky younger brother. For a while, the movie all too vividly resembles one of those late-’60s Disney comedies where the characters on the screen resemble no human beings you’ve ever met.

But when the transformation finally takes place, there’s no stopping Curtis who, in 2002, enhanced her fame with a magazine spread where she displayed her unglamorized, middle-aged self. And what that pictorial didn’t do, this movie finishes the job. She throws herself — quite often literally — into the role of a mom-as-teen so well, it’s as though she’s using the role to work out her own mid-life crisis. This isn’t the stuff to win Oscars, but for everyday moviegoers, it’s a blessed catharsis.

Lindsay Lohan admirably holds her own with Curtis, plausibly adjusting the angst-ridden teen routine to prim-and-proper oldster as the script calls for it. The “second banana” in these routines is inevitably the overlooked one, but Lohan is a pitch-perfect trouper. Together, she and Curtis take a premise that ought to be threadbare and, by sheer force of personality, makes it a winning family comedy.

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