The angel-of-God analogy is particularly apt because the movie seems a latter-day version of deus ex machina. And never has a movie seemed so stagy. When Ferris starts talking to the camera (presaging similarly self-conscious ’90s movies and TV shows), expounding his theories on life and skipping school, one half-expects to read “Based on a play by Neil Simon” in the credits.
What a great combination — the self-righteousness of John Hughes and the Broadway smarminess of Matthew Broderick. Two minds without a single thought.
And the film in constantly at odds with what it tries to tell us. At one point, Ferris tells us that you’ll never get anywhere by kissing people’s hindquarters. Yet he can’t get anywhere without sucking up to people or manipulating them for his selfish whims.
He also complains about his parents being weird. The poor kid — all his parents have ever given him are everything he wants, and more attention than his sister can hope to receive.
And how is all of this massive manipulation possible? Because Hughes sets up cardboard characters and emotions. Mr. Rooney is essentially Wile E. Coyote, forever chasing the Road Runner in vain. Ferris’s parents are vapid dummies who don’t care much about anything. And Ferris is supposedly made lovable by such acts as his hammy performance to get out of school (an old bit when it was used in E.T.) and his lip-syncing to a rock song (which, after Tom Cruise in Risky Business and Rodney Dangerfield in Easy Money, was well on its way to become a modern-day movie cliché).
All of the performances are execrable, except for Ruck as Cameron, the put-upon friend. When Cameron vows to take a stand against his dad, the scene almost works, despite its utter gravity, because Cameron has been such a likable dolt up until then. If only we could see a movie about a teenager like him, instead of this self-indulgent vehicle about a self-indulgent brat.
When John Hughes was asked how he prepares his scripts, he said, “I never start with the jokes. I look at an issue and try to find the story in it…To me, Animal House was a character movie.” That’s funnier than anything in Ferris Bueller’s Day Off.