Angora Love was Laurel & Hardy’s last silent film (not counting The Tree in a Test Tube, the ’40s Government short in which they appeared without dialogue), and it’s another of their shorts in which their winning characterizations overcome a sitcom-like script. (The device that sets the plot in motion is that a pet-shop owner’s goat chews through its leash and escapes, and the owner mistakenly tells a cop on the beat that his goat was stolen, which info the cop takes in a straight-faced manner. Even back in 1929, didn’t L.A. street cops have more important things to do, like issue citations to jaywalkers or something?)
The goat latches on to Stan and Ollie and their morning donuts, and suddenly they can’t get rid of him, which makes for some tracking shots that are pretty elaborate considering they’re from a goat’s point of view. They eventually try to hide the goat in their apartment under the suspicious eye of their distrusting landlord (Edgar Kennedy).
This set-up provides the template for every L&H hide-the-animal scenario forever after (e.g., Laughing Gravy, The Chimp). The most memorable gag is when Stan, trying to repeat Ollie’s earlier subterfuge of sticking Stan’s head in the washbasin so the landlord won’t think they’re bathing a forbidden animal, sticks Ollie’s head in the washbasin after the landlord has already seen the goat. (Stan is always about half a beat behind a given plan. At one point when they’re trying to hide the goat, Ollie lifts up the end of the bed and motions to Stan, whereupon Stan tries to hide himself under the bed.)
Angora Love isn’t Laurel & Hardy’s most memorable short, but it’s a fittingly simple farewell from L&H to silent movies.