The name of this week’s The Gangsters All Here movie gets straight to the point. The movie is called The Hoodlum — a title so generic, it’s the movie equivalent of slapping a white-with-black-lettering label on a can of beans. But there’s nothing generic about the guy who plays the title role…
The Hoodlum is directed by Max Nosseck, who directed Tierney in his breakout role in Dillinger (1945). But by the time of this movie, both Tierney’s and Nosseck’s careers had hit bottom — Tierney due to a lot of jail time earned by off-screen drinking and brawling, and Nosseck because he went from Dillinger right b;lkack to the B- and worse-type movies he’d previously been doing.
One could almost say that the bitterness of these two men burst forth in this movie and made it work. Tierney plays Vincent Lubeck, a career criminal whose career is so vast, it’s lovingly detailed in the movie’s prologue. Lubeck gets paroled due to a lucky break, but he still comes out of jail declaring that life has never given him a chance and will continue to not do so. So when Lubeck gets a good look at both (a) a loot-filled armored car that passes his way every day, and (b) his brother’s sob-sister-and-virginal girlfriend, what do you think are the chances that he’ll try to nab both?
On a scale of 1 to 5 fannies, I give this movie a 4-½. Tierney sizzles from start to finish, and the movie is uncompromising in nearly every aspect of its subject matter (especially for 1951). I deduct a half-star only because the movie begins with that weariest of tropes, a plea to the jailhouse warden from the convict’s elderly mother. But if you stick with the movie right to the end, you’ll see that even this cliche gets turned on its head.