It’s easy to brush off the silent versions of L&H comedies that were later remade with sound and with an understanding of Stan and Ollie as a team. But ironically, Love ‘Em and Weep is a far livelier comedy than its L&H remake, Chickens Come Home.
For one thing, even though the story is quite the same in both versions (right down to some of the dialogue), the earlier version is one reel shorter —
which gives you less time to analyze the movie’s sense of misogyny and more time to appreciate its fine comic performances. Here, James Finlayson assays the role later to be taken by Oliver Hardy, that of a respected businessman blackmailed by an old fling of his (Mae Busch in both versions). As is typical in Roach/Pathe productions, Laurel and Hardy hardly have a scene together (Hardy’s role is a glorified walk-on). But Finlayson well demonstrates why he was one of Hal Roach’s Comedy All-Stars before L&H hit it big. Much of his work is as florid as when he later reacted to Stan and Ollie, but he also plays the cuckolded husband quite well.
Laurel, in the same role he played in the later L&H version (the businessman’s partner, caught between a rock and a hard place), is hilarious and displays nearly all of the typical, beguiling Stanley mannerisms, seemingly lacking only a partner to bounce off of. And Mae Busch, besides being funny in her vamp role, is a winningly good sport in the film’s final reel, where she mostly serves as a mannequin for Finlayson and Laurel’s physical comedy.
It’s a good thing Stan and Ollie finally made it big as a team. Based on the evidence of this very funny short, it’s a wonder Hal Roach didn’t try to team Laurel with James Finlayson more often.