(WARNING: Major spoilers abound!)
By the Sea is a slight improvement over Chaplin’s only other Essanay one-reeler, In the Park. But like its predecessor, this “short” short has too many characters for its own good.
Among them: a man (Billy Armstrong) whose fight with Charlie begins over the entanglement of their hats; a girl to flirt with (Edna Purviance); the girl’s burly husband (Bud Jamison); and of course, a couple of cops. The best scene is probably where Charlie simultaneously flirts with Edna while having to keep knocking Billy unconscious.
The final shot perfectly encapsulates the movie’s possibilities and disappointments. In a brief frieze, Charlie, briefly oblivious to reality, sits in the middle of a park bench, and all of the people he has antagonized surround him. It’s a lovely shot, full of anticipation. Then the cop-out ending: Charlie looks up and sees his enemies, and the park bench collapses. As does the movie.
Does anyone make clumsiness seem more graceful than Charlie Chaplin?
Thanks for posting this film – I’ve not seen it before.
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